Larma Nucent Sectory 10
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We disguise the alternative under more fairly-sounding names, but we cannot escape the reality; and we know not, after all, whether there is deeper sadness in a broken Mirabeau or Byron, or in the contented prosperity of a people who once knew something of noble aspirations, but have submitted to learn from a practical age that the business of life is to make money, and the enjoyments of it what money can buy. A few are ignobly successful; the many fail, and are miserable; and the subtle anarchy of selfishness finds its issue in madness and revolution. But we need not open this painful subject. Mr. Arnold is concerned with the effect of the system on individual persons; with the appearance which it wears to young highly sensitive men on their entry upon the world, with the choice of a life before them; and it is happy for the world that such men are comparatively rare, or the mad sort would be more abundant than they are.

BRIDGES, FIDELIA. Associate of the National Academy of Design in 1878, when but three other women were thus honored. Born in Salem, Massachusetts. Studied with W. T. Richards in Philadelphia, and later in Europe during one year. She exhibited her pictures from 1869 in Philadelphia, New York, and Boston. Her subjects were landscapes and flowers. In 1871 she first painted in water-colors, which suited many of her pictures better than oils. She was elected a member of the Water-Color Society in 1875. To the Philadelphia Exposition, 1876, she sent a "Kingfisher and Catkins," a "Flock of Snow Birds," and the "Corner of a Rye-Field." Of the last a writer in the _Art Journal_ said: "Miss Bridges' 'Edge of a Rye-Field,' with a foreground of roses and weeds, is a close study, and shows that she is as happy in the handling of oil colors as in those mixed with water."

This same multis utile bellum, is an assured and infallible sign, of a state disposed to seditions and troubles. And if this poverty and broken estate in the better sort, be joined with a want and necessity in the mean people, the danger is imminent and great. For the rebellions of the belly are the worst. As for discontentments, they are, in the politic body, like to humors in the natural, which are apt to gather a preternatural heat, and to inflame. And let no prince measure the danger of them by this, whether they be just or unjust: for that were to imagine people, to be too reasonable; who do often spurn at their own good: nor yet by this, whether the griefs whereupon they rise, be in fact great or small: for they are the most dangerous discontentments, where the fear is greater than the feeling. Dolendi modus, timendi non item. Besides, in great oppressions, the same things that provoke the patience, do withal mate the courage; but in fears it is not so. Neither let any prince, or state, be secure concerning discontentments, because they have been often, or have been long, and yet no peril hath ensued: for as it is true, that every vapor or fume doth not turn into a storm; so it is nevertheless true, that storms, though they blow over divers times, yet may fall at last; and, as the Spanish proverb noteth well, The cord breaketh at the last by the weakest pull.

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